Faces versus patterns

Exploring aesthetic reactions using facial EMG

Gernot Gerger, Helmut Leder, Pablo Tinio, Annekathrin Schacht

Research output: Contribution to journalArticleResearchpeer-review

18 Citations (Scopus)

Abstract

We used facial EMG to examine reactions to the attractiveness of natural (faces) and artificial (abstract patterns) stimuli under long and short presentation durations. Attractive stimuli produced strong activations of the M. zygomaticus major muscle, indicating positive affective reactions; and unattractive stimuli produced strong activations of the M. corrugator supercili muscle, indicating negative affective reactions. Fluency effects, indicated by stronger activations of the M. zygomaticus major under the longer presentation duration were, however, only found for the abstract patterns. Moreover, the abstract patterns also were associated with more consistent activations over time than the faces, suggesting differences in the processes underlying the evaluation of faces and patterns. We discuss these results in terms of differences in appraisal processes between the two classes of stimuli-the greater biological, social, and sociosexual significance of faces trigger more complex appraisals than the abstract patterns.

Original languageEnglish
Pages (from-to)241-250
Number of pages10
JournalPsychology of Aesthetics, Creativity, and the Arts
Volume5
Issue number3
DOIs
StatePublished - 1 Aug 2011

Fingerprint

Esthetics
Muscles
Aesthetics
Electromyography
Stimulus
Activation
Affective

Keywords

  • Abstract patterns
  • Attractiveness
  • Faces
  • Facial EMG
  • Fluency

Cite this

Gerger, Gernot ; Leder, Helmut ; Tinio, Pablo ; Schacht, Annekathrin. / Faces versus patterns : Exploring aesthetic reactions using facial EMG. In: Psychology of Aesthetics, Creativity, and the Arts. 2011 ; Vol. 5, No. 3. pp. 241-250.
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Faces versus patterns : Exploring aesthetic reactions using facial EMG. / Gerger, Gernot; Leder, Helmut; Tinio, Pablo; Schacht, Annekathrin.

In: Psychology of Aesthetics, Creativity, and the Arts, Vol. 5, No. 3, 01.08.2011, p. 241-250.

Research output: Contribution to journalArticleResearchpeer-review

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