Abstract
The 1900 Paris World's Fair prided itself on the modernity of its exhibits. Paradoxically, however, one of its most successful attractions proved to be Le Vieux Paris, a picturesque model city built along the Seine to 'bring Old Paris back to life'. Designer Albert Robida chose not only to create a picturesque and entertaining model of life in old France, but to construct the exhibit as a locus of cultural memory. In it he glorified French accomplishments, while attempting to redress his contemporaries' neglect of their shared architectural and literary heritage. Using the popular exhibit as a device for celebrating national achievement, he inspired widespread appreciation of French heritage, thereby invigorating a nascent conservation moment.
| Original language | English |
|---|---|
| Pages (from-to) | 65-85 |
| Number of pages | 21 |
| Journal | Journal of European Studies |
| Volume | 35 |
| Issue number | 1 |
| State | Published - Mar 2005 |
Keywords
- Conservation
- Exposition universelle
- Living museum
- Nationalism
- Old Paris
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