TY - JOUR
T1 - We don't wear tight clothes
T2 - Gay panic and queer style in contemporary hip hop
AU - Penney, Joel
PY - 2012/7/1
Y1 - 2012/7/1
N2 - This article examines the tension within contemporary hip hop between the rising popularity of queer-inflected style within the genre and its corresponding backlash, fueled by those who continue to conflate hip hop with a hyper-masculine black identity. The author begins by exploring both the aesthetic and the economic motivations for hip hop's recent embrace of queer-influenced music and dress styles. He then analyzes two recent media controversies, involving online video clips of rappers Thug Slaughter Force and Beanie Sigel, in order to deconstruct contemporary hip hop's gay panic moment. In these clips, the performers direct their verbal aggression towards fellow rappers who wear tight clothes and other forms of dress associated with queer style, even threatening violence towards them. The author demonstrates how these attempts to police the boundaries of black masculinity connect with a long history of homophobia within African-American culture. He concludes by arguing that these reactionary and alarming incidents highlight the need for further transformations within hip hop's conceptions of black masculinity.
AB - This article examines the tension within contemporary hip hop between the rising popularity of queer-inflected style within the genre and its corresponding backlash, fueled by those who continue to conflate hip hop with a hyper-masculine black identity. The author begins by exploring both the aesthetic and the economic motivations for hip hop's recent embrace of queer-influenced music and dress styles. He then analyzes two recent media controversies, involving online video clips of rappers Thug Slaughter Force and Beanie Sigel, in order to deconstruct contemporary hip hop's gay panic moment. In these clips, the performers direct their verbal aggression towards fellow rappers who wear tight clothes and other forms of dress associated with queer style, even threatening violence towards them. The author demonstrates how these attempts to police the boundaries of black masculinity connect with a long history of homophobia within African-American culture. He concludes by arguing that these reactionary and alarming incidents highlight the need for further transformations within hip hop's conceptions of black masculinity.
UR - http://www.scopus.com/inward/record.url?scp=84864326817&partnerID=8YFLogxK
U2 - 10.1080/03007766.2011.578517
DO - 10.1080/03007766.2011.578517
M3 - Article
AN - SCOPUS:84864326817
SN - 0300-7766
VL - 35
SP - 321
EP - 332
JO - Popular Music and Society
JF - Popular Music and Society
IS - 3
ER -